Species Counterpoint

Rules and exercises

Species counterpoint is a method of learning to write good vocal parts, following a set of rules which control voice leading and use of dissonance and consonance.  It is relevant to lots of styles of composition, but particularly to 16th-century vocal polyphony (which is what you have to imitate in your exam!)

Dissonances and consonances

There are three categories of harmonic (i.e. vertical) interval:

Perfect consonances - the unison, perfect fifth and octave

Imperfect consonances - major and minor 3rds and 6ths

Dissonances - major and minor 2nds and 7ths, the perfect 4th*, all augmented and diminished intervals

A dissonance is commonly defined as an unpleasant sound.  In harmony and counterpoint it has a more specific definition, however: a dissonance is defined as an interval or chord which requires a resolution.

Each species has its own rules for where different types of interval may be used.

* however, used melodically (i.e. horizontally) the perfect 4th is a consonance

Rules for good voice leading

These apply to all species

Do use:

Never use:

Try to avoid:

Beginning and ending an exercise

If you are adding an upper part to a given cantus firmus:

If you are adding a lower part to a given cantus firmus

Now follow the links to get details of each species

1st species 2nd species 3rd species 4th species 5th species

For a more advanced and detailed summary of species counterpoint, try the links below.

Chicago University counterpoint site

Stanford University counterpoint site

Or google it.