Sample Questions on secular
vocal music
Question
a) Write a definition showing your understanding of 2 of the following: 2 x2 marks (4)
Tablature
False relation
Syllabic
Imitation
b) Link each of the two terms you have chosen in your answer to question
(a) to a context from a specific work. You should name the work, the bar, the
beat number(s) and the instrument(s) or voice(s) involved. 2
x2 marks (4)
c) The following questions relate to Dido and Aeneas by Purcell.
i.
(i) From what type of work are these extracts
taken? (2)
ii.
(ii) What device is used throughout the aria? (2)
iii.
(iii) Give 2 ways in which Purcell created dramatic
tension in this piece. (4)
iv.
d) Compare and contrast Haydn’s ‘My mother bids me’ and Faure’s ‘Apres
un reve’.
Comment on the use of instruments and voices, melodic writing,
structural aspects and likely performance circumstances. Give detailed examples
to support your observations.
(14)
Total (30)
Question
a) Write a definition showing your understanding of 2 of the following: 2 x2 marks (4)
Melisma
Recitative
Strophic
Periodic phrasing
b) Link each of the two terms you have chosen in your answer to question
(a) to a context from a specific work. You should name the work, the bar, the
beat number(s) and the instrument(s) or voice(s) involved. 2
x2 marks (4)
c) The following questions relate to Flow my tears by Dowland.
v.
(i) What type of work is this? (2)
vi.
(ii) What notation would the lute part normally
play from? (2)
vii.
(iii) Find 2 examples of word painting in this
extract. (4)
viii.
d) Compare and contrast Purcell’s ‘Dido and Aeneas’ and Gershwins’s
‘Summertime’.
Comment on the use of instruments and voices, melodic and harmonic
writing, structural aspects and likely performance circumstances. Give detailed
examples to support your observations. (14)
Total (30)
Question
a) Write a definition showing your understanding of 2 of the following: 2 x2 marks (4)
Continuo
Figured Bass
Portamento
Appoggiatura
b) Link each of the two terms you have chosen in your answer to question
(a) to a context from a specific work. You should name the work, the bar, the
beat number(s) and the instrument(s) or voice(s) involved. 2
x2 marks (4)
c) The following questions relate to ‘Summertime’ by Gershwin.
ix.
(i) Name four styles of music that have
influenced this piece. (4) (ii) What
is a piano reduction score (2)
x.
(iii) Find an example of a blue note in this
extract. (2)
xi.
d) Compare and contrast Dowland’s ‘Flow my tears’ with Haydn’s ‘My
mother bids me’.
Comment on the use of instruments and voices, melodic and harmonic
writing, structural aspects and likely performance circumstances. Give detailed
examples to support your observations. (14)
Total (30)
Question
a) Write a definition showing your understanding of 2 of the following: 2 x2 marks (4)
Ground Bass
Archlute
Swung quavers
Blue notes
b) Link each of the two terms you have chosen in your answer to question
(a) to a context from a specific work. You should name the work, the bar, the
beat number(s) and the instrument(s) or voice(s) involved. 2
x2 marks (4)
c) The following questions relate to Apres un Reve by Faure:
xii.
(i) What kind of work is this? (2) (ii) Identify
where Faure uses a circle of fifths. (2)
xiii.
(iii) Find an example of a ninth chord. (2)
xiv.
(iv) Find an example of cross rhythms (2)
xv.
d) Compare and contrast Dowland’s ‘Flow my tears’ with Gershwin’s
‘Summertime’. Comment on the use of instruments and voices, melodic and
harmonic writing, structural aspects and likely performance circumstances. Give
detailed examples to support your observations. (14)
Total (30)